SIMON WILLIAMS | PHOTOGRAPHER
Having worked extensively in digital photography since 2010, I returned
to the analogue world in 2018 - but with antique cameras and historical
processes.
Taking a stand against the relentless drive for ever more MEGA-images
that are becoming more “real” than reality, this work celebrates the
imperfections of a more basic process to create evocative images that
invite the viewer into them.
Pristinely clear images from our modern cameras and phones can be
scanned, appraised, re-tweeted or ignored and then forgotten.
But an image that draws you to explore, think, imagine, can create and
deposit something of value in us, that will last.
to the analogue world in 2018 - but with antique cameras and historical
processes.
Taking a stand against the relentless drive for ever more MEGA-images
that are becoming more “real” than reality, this work celebrates the
imperfections of a more basic process to create evocative images that
invite the viewer into them.
Pristinely clear images from our modern cameras and phones can be
scanned, appraised, re-tweeted or ignored and then forgotten.
But an image that draws you to explore, think, imagine, can create and
deposit something of value in us, that will last.
During the confines of the 2020-21 lockdown, I learned wetplate collodion - a 150-year-old technique that is contemporary with the cameras I am using. Here the images are silver on glass that interact with the light in a lovely way that digital and print do not. There followed
collaborations with Underfall Yard and the Clifton Suspension Bridge Trust to produce work that celebrates the history and character of Bristol’s industrial past highlighting the beauty that comes with the aging process.
It has been exciting to find the level of interest from others in this work –the camera attracts a lot of interest when I am out on location. This has led to features in local press, radio and a video on the BBC website in 2022.
Since Artport2022 I have expanded my work to include 3D-Stereoscopic photography and Panoramic photography, still with 100-year-old cameras and each capable of producing wonderful, atmospheric, hand-crafted works of photographic art – if I don’t mess it up!
I have published a pack of Westcountry 3D images that come with viewing glasses and these, along with prints of my photographs are available to view and buy all year from Studio3, Clevedon Craft Centre, Clevedon.
Website: www.oldparson.art
collaborations with Underfall Yard and the Clifton Suspension Bridge Trust to produce work that celebrates the history and character of Bristol’s industrial past highlighting the beauty that comes with the aging process.
It has been exciting to find the level of interest from others in this work –the camera attracts a lot of interest when I am out on location. This has led to features in local press, radio and a video on the BBC website in 2022.
Since Artport2022 I have expanded my work to include 3D-Stereoscopic photography and Panoramic photography, still with 100-year-old cameras and each capable of producing wonderful, atmospheric, hand-crafted works of photographic art – if I don’t mess it up!
I have published a pack of Westcountry 3D images that come with viewing glasses and these, along with prints of my photographs are available to view and buy all year from Studio3, Clevedon Craft Centre, Clevedon.
Website: www.oldparson.art